“In contrast to mixtapes, Signal To Noise doesn’t rely on referencing songs and musicians to provide its emotional texture. Its characters are full of life, with all the contradictory twists and turns life implies.”
“This issue includes my review of Haikasoru’s Hanzai Japan, a collection I thoroughly enjoyed. It’s variable, as are many anthologies, but its breadth and variety elevate it.”
It’s a sad truism of writing today that the less something needs writing about, the more writing there will be on it. Major pop-cultural events like the release of a new Star Wars film are relentlessly covered, from pre-release promotional puffery to post-release criticism. The reason for this is as simple as could be: people want to read about things they care about, even if what they end up reading tells them nothing new or of substance. And so this writing is produced: publications and websites want readers because readers mean revenue, and even non-commercial writers want readers because readers are often their primary means of validation. For all such parties, it feels good to feel part of a conversation.
With that in mind, here’s a short review of the new Star Wars film!
Bruce Sterling needs little introduction and nor does the Massachusetts Institute of Technology. Twelve Tomorrows, perhaps, does.
I’ve been absolutely terrible lately at bigging up any of the writing I’ve been doing. Fortunately, I have genuinely exciting news! Time to grab the doldrums by the metaphorical shoulders, fling them into the seat of a jalopy and kick it down the hill, all the while screaming “SOMETHING IS HAPPENING”.