>>Nostalgia For Infinity

This isn’t really a review so much as a “Wot I Think” – a quick run-through of some half-developed ideas and reasons why I liked or didn’t like this film. I’ve been arguing with a few friends about this movie and figured I may as well appropriate this argument for Great Justice, i.e. a post on my poor, neglected blog.

So, Jonathan McCalmont has been writing alternative ballots for the Best Dramatic Presentation, Long Form category of the Hugo Awards (an award perhaps best known for the controversy it causes by being utterly uncontroversial). Triangle is one of the films he included on the list and one of those which I checked out for myself.

The basic concept of Triangle is simple: a small yacht is capsized in an unusual storm and the few survivors are picked up by a cruise liner, the Aeolus, which appears to be uncrewed – until a masked figure begins picking them off with a shotgun. It’s not long before even weirder shit starts happening. Okay, from this point onwards there are going to be spoilers so if you want to check out the film free of preconceptions, stop reading now.

What makes Triangle unusual is its use of mechanics familiar to anyone who’s seen Groundhog Day or Primer – the sequences of events aboard the Aeolus, culminating in the murder of almost all of the survivors, continually repeat. Single mother Jess is the only survivor who appears to be an actor in these events rather than a recurrent victim, and as such she sets about trying to change events – to save the survivors, or to prevent them from boarding the ship in the first place.

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Hey, loyal readers and random googlers (I hope you find the BioShock/Gor slashfic you’re looking for). There’ve been a lack of reviews recently for these exciting reasons:

1.) My band is recording a second demo tomorrow. TOMORROW! So I’ve been busy practising our newer songs, installing new tubes in my amp (turns out that balancing the power tubes in a DSL100 is pretty easy, even when you’re drunk) and restringing my guitars (ugh, replacing strings is for when you break them, at least in my book). EXCITING.

2.) I’ve had a promotion at work at the same time as a friend / colleague has left so I’ve been pretty preoccupied with plugging gaps in dayjob-world.

3.) I’ve been kind of inclined to spend my free time chilling out with films, videogames and friends rather than writing in a darkened room. Not that I have a problem with the latter, but it’s more like work than blowing off steam.

4.) IT’S THE SUMMER <3 <3 <3

I’ll post up the occasional review as and when the mood takes me & will be back with three more levels of experience and a +1 Something of Whatever in the near future. I may also have other cool stuff to share, e.g. a friend and I are going to collaborate on an indie game… I’ll provide writing and “ideas” and she’ll do the hard work. Awesome!!!

If you want to follow something I’m doing in the meantime, check my twitter or tumblr thingies.

The news broke today that the Freebutt will no longer be able to operate commercially as a live music venue. Head over here to read their official statement; the gist is that they need £20,000 for the required soundproofing, which they don’t have, and the council have reduced the limiter to 95db which is too low for amplified music. They’ve shut the venue as making £20k from live acoustic music doesn’t seem feasible.

(The Penthouse above the ‘butt will be still be running, though, so do keep heading there. It’s a scrappy little bar that I’m still really fond of, and it has some cool esoteric DJ nights.)

This rapidly follows confirmation that The Providence is being sold by the Barracuda chain, quite likely to Tesco. Make of that what you will; it’s been pointed out that several other Tesco branches are about 5 minutes walk away, and there are already 11 Tesco shops in Brighton (plus there’s the one they’re considering building in Lewes Road too). I wasn’t hugely fond of the Providence as a pub but the sound was decent enough and some long-standing promoters put on a lot of shows there.

In the last month we’ve also heard news that The Engine Room has been closed. No official statements have been released as far as I’m aware, although the word on the street is that there just wasn’t enough money for some payment or another. Anyone reading this got the facts? [UPDATE: minutes after I posted this, an article popped up on the local paper's website explaining that the venue is up for sale. Balls!]

And of course earlier this year came the end of the Hobgoblin, a genuine Brighton punk rock and metal institution, which despite eking a few more months of life after its initial closure late in 2009 has been bought by another chain. They’re currently in the process of entirely revamping it; initial rumour was that it was being turned into a gastro pub (ah yes, no shortage of those in Brighton) although its new exterior paintjob does still tout “live music” as a feature. It seems unlikely that they’ll want to play host to the same D.I.Y. promoters and touring bands as in the past, though.

Several years back the Pressure Point was sold to a developer following a lack of interest from purchasers who wanted to keep it running as a venue. It’s since been converted into a hostel with a bar. The Brighton Gloucester / Barfly remains closed and unused following Barfly / MAMA’s abortive attempt to break into the local music scene around the same time. I assume they still own it and may intend to reopen it in brighter economic times.

The saddest thing is that most of the venues that have bitten the dust were the ones doing the most to support relatively unknown outfits, small touring bands, local groups and musicians and so on.

SIGNS OF LIFE

On the positive side of things the Hydrant (was the Hare & Hounds) is making a huge and laudable push into supporting local music with both a large upstairs function room for shows and regular gigs in the downstairs pub as well. Then there’s Hector’s House which seems to have picked up a lot of the punk and metal shows the Hob would once have hosted – and good on them, speaking personally it’s greatly preferable to the student drum ‘n bass crowd I remember from 5 years ago! Finally one of my current favourite venues, the Prince Albert, is also keeping on rocking – and their P.A. is one of the best I’ve heard in a small venue.

And of course there are other venues like Jam, the Greenhouse Effect, Audio and larger venues like the Concorde 2. So live music in Brighton has taken some major blows, but there are still plenty of places to go and play.

If you’re involved with a local venue, whether as an owner or a promoter, please get in touch via email or the comments below. I’d like to do a round-up of venues in a separate post in the near future, and counteract some of this bad news with a reminder of how Brighton still has a lot to offer!

Junior Battles are another recent discovery and another I’m really pleased to have been introduced to. Hailing from Toronto – home of Cancer Bats, Broken Social Scene, Holy Fuck and the unstoppable Fucked Up among others – Junior Battles play irrepressible and infectious pop-punk that’s kinda 90s throwback in sound but doesn’t simply mimic what’s come before.

Apparently they’ve toured the US with O Pioneers!!! and there are some similarities there, especially in the tongue-in-cheek song titles (‘Major Label Bidding War’ and the Back to the Future hat-tipping ’Roads? Where We’re Going, We Definitely Need Roads’) although Junior Battles are less with the gruff ‘n roll and considerably cleaner… plus they have some amazing melodies. Like all the best pop-punk that’s what they really nail; catchy guitars and vocal lines backed up by a fat bass sound and restrained, precise drums. In the lead guitar work I’m also picking up elements of The Menzingers and once or twice (chiefly in the intro and verse of ‘Update Your Resume’) there are even traces of Leatherface and Jawbreaker.

For my money ‘Roads’ is the standout track and it’s an awesome closer; yet another punk rock paean to the shitty van and being on the road it successfully brings together everything most awesome about the other three tracks and distils it down to pop-punk brilliance: ”We’ve had a real good time, we’ve got a few good friends and gasoline. We’re got a five hour drive, we’ve got to make it home and go to sleep.”

I fucking love pop-punk, so trust me when I say that this is pop-punk done right. Check it out! Free download from IYMI at the link below, or buy a copy from Square Up if you’re a ‘weenil nerd’.

Myspace | If You Make It | Square Up Records

I’m pretty busy at the moment dudes, between a promotion at work (and another guy leaving) plus my band recording again in a couple of weeks, so the regularity of posts here might drop off a bit. I’ve still got stuff coming up though including (I hope) reviews of Junior Battles, Everyone Everywhere, Bastards of Young, Cometbus #52 and some more stuff about games… so don’t delete this bookmark  just yet.

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